films

King Of Thieves (2018) – Review

by Cameron Frew
Posted on September 20, 2018September 20, 2018

Geriatric Lock Stock on valium.

Review

The Meg (2018) – Review

by Cameron Frew
Posted on August 15, 2018August 15, 2018

Tame Sharkzilla effort that would be lost without Statham.

films

Top 10: Movie Musicals

by Cameron Frew
Posted on August 6, 2018August 15, 2018

“Give yourself over to absolute pleasure.”

Review

Ant-Man and the Wasp (2018) – Review

by Cameron Frew
Posted on August 2, 2018August 2, 2018

Entirely enjoyable, but unspectacular entry.

films

Top 10: Tom Cruise Movies

by Cameron Frew
Posted on July 30, 2018August 15, 2018

Breaking down the star’s top cocktail of a filmography.

Review

Mission Impossible: Fallout (2018) – Review

by Cameron Frew
Posted on July 26, 2018July 26, 2018

Not just the best entry, but one of the greatest action spectaculars of our time.

Review

Mamma Mia: Here We Go Again! (2018) – Review

by Cameron Frew
Posted on July 26, 2018July 26, 2018

The feel-good power of ABBA isn’t lost in this inferior but joyful sequel.

Review

A Prayer Before Dawn (2018) – Review

by Cameron Frew
Posted on July 26, 2018July 26, 2018

Claustrophobic biopic bolstered by a knockout performance from Joe Cole.

Review

Skyscraper (2018) – Review

by Cameron Frew
Posted on July 13, 2018

A ludicrously breezy Die Hard love letter.

Review

The Incredibles 2 (2018) – Review

by Cameron Frew
Posted on July 13, 2018July 13, 2018

Triumphant, dare I say it, incredible?

	Top 10: Tom Cruise M… on Mission Impossible: Fallout (2…
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	Dan O. on Darkest Hour (2017) – Re…
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	Cameron Frew on Thor: Ragnarok (2017) –…

FrewFilm

Archive of a Scottish film escapist

Bad Times at the El Royale (2018) – Review

First Man (2018) – Review

Venom (2018) – Review

A Star Is Born (2018) – Review

The Predator (2018) – Review

The Nun (2018) – Review

Crazy Rich Asians (2018) – Review

Searching (2018) – Review

The Happytime Murders (2018) – Review

Christopher Robin (2018) – Review

The Equalizer 2 – Review

BlacKkKlansman (2018) – Review